Mon, August 10, 2026
It’s a fun concept and an excellent assemblage of talent—Lane and Williams deliver some top-notch stuff, and Azaria is fearless. But Nichols can’t get its elements to harmonize tonally (great comedic scenes, impressively sincere character moments, and satire that, though uneven and dated, has its bright spots), and the result is a mishmash of wasted potential and weird lulls trying to bridge the different pieces together.
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