Sat, August 9, 2025
An affectionate look back, but unpolished in a way that makes it feel like something that would be playing on a loop at the Amity visitor center. More time should have been spent on the production of the film, which is where the most interesting insights are. And, by god, it should come with a dramamine patch—it’s like someone said, “It’s neat how Ken Burns will pan across a photo, but can we speed it up 1000x?”
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